Camera Simulator

Lessons 1 · How a camera works

Shutter speed and motion

Lesson 4 of 187 min readFreeze action, blur water and keep handheld shots sharp.

The shutter speed is how long the sensor collects light. It is written in seconds: 1/1000 is a thousandth of a second, 2" or 2s is two seconds. Doubling the time doubles the light, so 1/125 s is one stop brighter than 1/250 s.

Anything that moves while the shutter is open is smeared across the picture. A short time freezes it. A long time turns it into blur or streaks. That is how photographers freeze a sprinter, turn a waterfall silky or draw light trails with cars at night.

Fountain with individual water drops frozen in the air
1/1000 s: every drop frozen.
The same fountain with the water turned into smooth silky streaks
1/4 s with an ND filter: silky water.
Shutter priority. You pick the shutter speed, the camera picks the aperture.

Try this: Take a photo at 1/1000 s to freeze the drops. Then add the ND 6 filter, set 1/4 s and take another. Daylight is too bright for slow shutter speeds without the filter.

Shutter priority. You pick the shutter speed, the camera picks the aperture.
1/5001/2501/1251/601/30
Each full stop doubles the time the shutter stays open, and how far a moving car smears.

How fast is fast enough?

It depends on how fast the subject moves across the frame. Here is a person walking past 5 m away, photographed with a 35 mm lens:

ShutterThey walkIn the photo
1/40000.3 mmfrozen
1/10001.4 mmfrozen
1/2505.6 mmfrozen
1/602 cmslightly blurred
1/159 cmblurred
1/435 cmstreaks
1s140 cmstreaks

A quick guide for everyday subjects:

  • 1/125 s: people standing or walking slowly.
  • 1/500 s: children playing, pets, cyclists.
  • 1/1000 s to 1/2000 s: sport, birds, splashing water.
  • 1/4 s to 2 s: silky water, on a tripod.
  • 4 s to 30 s: light trails and night scenes, on a tripod.

Long exposures at night

At night a long shutter speed turns moving lights into lines. Cars disappear because they never stay in one place long enough to register, but their head and tail lights draw trails.

Night street where passing cars have become streaks of white and red light
8 s at f/6.3, ISO 100, camera on a tripod.
Night street, camera on a tripod.

Try this: At 1/30 s the cars are blurry blobs. Set 4 s or longer and take a photo: the cars disappear and leave light trails. The camera is on a tripod, so the buildings stay sharp.

Night street, camera on a tripod.

Camera shake: the handheld limit

Your hands move too, and that blurs everything in the picture. A long-standing rule is to keep the shutter faster than 1 ÷ the focal length (on full frame). Longer lenses magnify shake, so they need faster shutters. Image stabilisation in the body or the lens lets you go slower.

Focal lengthFull frameAPS-CFull frame, 4 stops of stabilisation
24 mm1/251/400.6s
50 mm1/501/800.3s
100 mm1/1001/1601/8
200 mm1/2001/3201/13

Stabilisation only steadies the camera. It does nothing for a subject that moves.