Camera Simulator

Lessons 1 · How a camera works

The exposure triangle

Lesson 2 of 186 min readAperture, shutter speed and ISO, and how they trade off.

Aperture, shutter speed and ISO all change how bright the photo is. Photographers draw them as the corners of a triangle because they trade against each other: give up some light on one corner and you can take it back on another.

f/2.8 · 1/500f/4 · 1/250f/5.6 · 1/125f/8 · 1/60
Close the aperture one stop and open the shutter one stop longer: the same light reaches the sensor.

The stop: the unit of light

A stop means double or half the light. Every setting moves in stops, so you can swap one for another:

SettingOne stop more lightOne stop less light
Aperturef/5.6 → f/4f/5.6 → f/8
Shutter speed1/250 s → 1/125 s1/250 s → 1/500 s
ISO400 → 800400 → 200

The f-numbers look odd because they describe a diameter, and the light depends on the area. The full stops are f/1.4, 2, 2.8, 4, 5.6, 8, 11, 16 and 22: each one is the previous number times 1.4.

Play with the triangle

Pick how bright the scene is, then move the three settings. The triangle shows how many stops each one contributes, and what else it changes. Turn on Lock exposure and move one setting: another one moves the other way, so the brightness stays the same and only the side effects change.

Light in the scene
Aperture f/8
1.822.22.52.83.23.544.555.66.37.1891011131416182022
Shutter 1/250
8000640050004000320025002000160012501000800640500400320250200160125100806050403025201513108654332211"1.3"1.6"2"2.5"3.2"4"5"6"8"10"13"15"20"25"30"
ISO 100
1001251602002503204005006408001k1.25k1.6k2k2.5k3.2k4k5k6.4k8k10k12.8k16k20k25.6k32k40k51.2k64k80k102.4k
mid-grey
Open these settings in the simulator →
−1.0Aperture f/8−1.0Shutter 1/2500ISO 1001.0 stops too brightscene has 3.1 stops to spare
  • Aperture −1.0 Background soft
  • Shutter −1.0 Freezes walking people
  • ISO 0 Clean

Stops of light compared with f/5.6, 1/125 s, ISO 100. When the three add up to what the scene needs, the photo is balanced. Each one also changes something else.

The exposure triangle for a 50 mm lens on full frame. Set the scene's light, then turn the dials and watch the stops add up.

Same brightness, different pictures

Each row below lets the same amount of light reach the sensor on a sunny day. The photos would be equally bright, but the depth of field, the motion blur and the noise differ.

ApertureShutterISOExposure value
f/2.81/2000100EV 13.9Open
f/41/1000100EV 14.0Open
f/5.61/500100EV 13.9Open
f/81/250100EV 14.0Open
f/111/125100EV 13.9Open
f/111/500400EV 13.9Open

Exposure value (EV) is a single number for an exposure: EV = log2(N²/t) − log2(ISO/100). Small differences come from rounding to standard third-stop values.

Marble bust sharp in front of a softly blurred plaza
f/1.8 and 1/8000 s
The same bust with the plaza behind it almost sharp
f/11 and 1/200 s

Same brightness, different picture: about five stops moved from the shutter to the aperture. Both rendered by the simulator.

Try it in manual mode

In manual mode (M) you set all three, and the meter tells you how far you are from a normal exposure. Bring the marker back to 0 in three different ways and compare the photos.

Manual exposure on the fountain. The triangle shows how many stops each setting contributes.

Try this: In manual mode, get the meter marker back to 0 three different ways: once with the aperture, once with the shutter speed and once with ISO. Take a photo each time and compare the water.

Manual exposure on the fountain. The triangle shows how many stops each setting contributes.

Which corner to move first

Decide what matters most in the picture, set that corner, and let the others follow:

  • Background or depth matters (portraits, landscapes): choose the aperture first.
  • Motion matters (sport, kids, water, light trails): choose the shutter speed first.
  • ISO is the one you raise when the other two cannot give you enough light. Keep it as low as the situation allows, but do not be afraid of it.